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Online edition of India's National Newspaper Friday, December 15, 2000 |
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Mohanam well-rendered
THE Saxophone concert of Kadri Gopalnath, marked the inauguration
of Mudhra's annual musical festival at the Bharatiya Vidya Bhavan
on December 5. Mrs. Sulochana Pattabhiraman (musicologist,
composer and teacher) was conferred the Mudhra Excellence award
endowed by P. Obul Reddy. N. Ram, Editor, Frontline, inaugurated
the festival.
The varnam (Navaragamalika) was Gopalnath's opening piece which
was played in a fast tempo followed by a krithi in Hamsadwani
with imaginative swaras. The Karnaranjani alapana was appealing
followed by `Vanchitone'' of Muthiah Bhagavathar. Kadri dealt the
Bhairavi swarajathi `Kamakshi'' of Shyama Sastry in a controlled
manner with gamakas. He captured the contours of Mohanam in the
raga alapana and the sanctity and feelings of the monumental
krithi ``Nannupalimpa'' of Tyagaraja with swaras.
A. Kanyakumari handled the violin evoking rich tone and
imaginative sancharas in Karnaranjani and Mohanam. Guruvayur
Dorai (mridangam) Rajasekhar (morsing) played an interesting
tani.
Vibrant style
A musical ensemble composed and conducted by Ghatam Karthik
featuring Karthik (ghatam) K. L. Sriram (vocal, flute and
keyboard) Embar Kannan (violin), Poongulam Subramanyam
(mridangam), Papanasam Sethuraman (kanjira), Veda (rhythm
effects) and N. Sundar (tabla and morsing) was presented `Taka
Dimi Taka Janu''. The programme included songs composed by Ghatam
Karthik.
After a brief sketch of Nattai by Embar Kannan (violin), Sriram
sang ``Sri Sankara Guru'' in a vibrant style. This was followed
by `Mangala Karini' in Ratipatipriya by Sriram. Charukesi was
rendered in a soulful spirit by Sriram. This was followed by
`Charukesi Sarasya Lochani' in two speeds and the namavali
`Jayajaya he mahishasura mardhini' in the third speed, which
reminded one of the `Jayajaya he mahishasura mardhini' (a
concluding prayer of Anantharama Dikshitar in his discourses).
The audience enjoyed the rhythm.
Only sometimes the percussion instruments drowned the melodic
effect of the singer. Earlier a C.D. `Taka Dimi Taka Janu' was
released.
The performance of T. V. Sankaranarayanan proved the astuteness
of the singer. His aim is to give a pleasant concert by resorting
to his special style of kalpana swaras. The bhava he evoked was
minimal. The raga vinyasas of Bahudari and Shanmukhapriya
revealed the tonal eloquence but were not rich in melody. Mohanam
has a unique appeal to the listeners. Sankaranarayanan gave a
full picture of Mohanam with abundant imaginative prayogas.
`Kapali' was rendered in a majestic form with swaras. The
delineation of Bahudari and Shanmugapriya by Mysore Nagaraj on
violin was comprehensive. Creative laya patterns were played by
Neyveli Narayanan (mridangam) and Karthik (ghatam) which were
supportive to the vocalist.
Melody sustained
Mysore Nagaraj and Manjunath handled the violin superbly
sustaining the melody throughout the recital. The synchronisation
of the krithis was praiseworthy.
The elaboration of Nattakuranji by Nagaraj was neat and
satisfactory followed by `Mamavasada' of Swathi Thirunal with
swaras was palatable. The raga delineation of Kalyani handled by
both alternatively in three octaves with unusual prayogas were
well-received by the rasikas.
Tiruvarur Bakthavatsalam and Vaikom Gopalakrishnan (mridangam and
ghatam) gave a splendid tani.
In its talent promotion programme, Mudhra presented Shobha Ramesh
of Hyderabad. Shobha has a flexible voice which traverses freely
in the middle and top octaves. But she has to train her voice to
reach down to the mandharasthayi panchamam to produce an impact
while singing ragas and krithis. ``Sobillu'' (Jaganmohini-
Tyagaraya) ``Sri Kalahastheesam'' - a panchalinga krithi of
Dikshitar and ``Mamayura Meedhil'' (Bilahari-a song of Chidambara
Bharathi) were enjoyable. The elaboration of Pantuvarali had
praiseworthy sancharas and phrases. The Ranjani ragamalika was
entertaining while the bhajan in Sindhu Bairavi of Swati Thirunal
was melodious.
Mudhra Bhaskar (mridangam), Tiruchi Murali (ghatam) apart from
supporting the recital gave a good tani. Melakaveri Thiagarayan
played an elegant Pantuvarali.
- R.S.
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