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Exploring a different intimacy

Ore Kadal

In a society where any frank discussion on sex is still a taboo, director Shyama Prasad tries to probe the issues involving an extra marital affair.

The film is based on Sunil Gangopadhyay’s novel Hirak Deepti. Dr. S.R. Nathan (Mammootty) is a world-renowned professor of Economics. A theorist to the core, he always harps on his pet topics of poverty and developmental issues that concern the third world. He is a loner who hits the bottle. Not a womaniser though, in his own terms, he loves their company.

But his close friend Bella (Remya Krishnan) is more practical. She tries to identify herself with some of the stark realities of life.

Deepti (Meera Jasmine) is a housewife who stays in the same apartment complex with her husband (Narain) and son. Her husband is on the lookout for a job. On his persuasion, Deepti approaches Nathan.

Their chance encounter ends up in a complex relationship. But Nathan is unperturbed and quite unmindful of his ways. While Deepti gets a feeling of guilt, Nathan just shoos it away. In fact, he is working on a book on middle class attitudes and notions. Yet, when confronted with real questions, Nathan loses ground — a reference to the pseudo-intellectual image.

Here, the director closely examines the disturbing relationship between two individuals. Deepti is not able to pull herself away from Nathan.

The undercurrents in the minds of Deepti and Nathan, their tormented souls turbulent as the sea are captured on frame dexterously by Alagappan, the cameraman. Though the film does not give any direct message, it does hint at what makes or breaks a relationship.

Mammootty’s portrayal of Nathan is nonpareil. Meera Jasmine as the disturbed housewife delivers a creditable performance. Girish Puthenchery’s lyrics are scored by Ouseppachan.

G. Jayakumar

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