Online edition of India's National Newspaper
Friday, Feb 25, 2005

About Us
Contact Us
Entertainment Thiruvananthapuram
Published on Fridays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Printer Friendly Page Send this Article to a Friend

Portrayal of life

A contemporary dance programme combined various styles of dance and martial arts.



Meeting of different styles of dance.

SAMUDRA CENTRE for Indian Contemporary Performing Arts presented a 55-minute programme of contemporary dance called `The Sound of Silence' under the aegis of Bank Employees Arts Movement.

The dancers, Madhu Gopinath, Vakkom Sajeev, Deepa M.S. and Ajikumar, adapted the styles of Bharatanatyam, Chau, Kalaripayattu and Yoga to portray themes of life cycle, sensuality, tradition and modernity.

A rope work starting in `padmasana' was followed by a dance number by all the dancers enacting `gaayatri mantra' and verses from `Soundaryalahari.' Madhu and Sajeev then presented a number where they twined like creepers, slithered like serpents and crouched like foxes.

Energetic dance

Then came a short interlude from Deepa, whose energy level could not match that of her precedents.


Once again Madhu and Sajeev demonstrated their enviable balance. But somewhere along, the steps turned merely acrobatic.

The dancers seemed to be concentrating on the rhythm, and responded less to the music. Madhu performed alone, blending the swirls of Kathak, the bends of Chau and the adavus of Bharatanatyam. The steps reminded one of Daksha Seth's style, what with claps and vigorous head movements. Madhu was associated with the danseuse in some of her productions.

Transfer of soul

Next came a masked character, portraying a living creature, depicting its birth, life and death. The drone of the `mizhavu' enhanced the mystique of the piece. Effective lighting by Sreekanth heightened the dramatic quality.

HAREESH BAL

Printer friendly page  
Send this article to Friends by E-Mail

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | The Sportstar | Frontline | The Hindu eBooks | The Hindu Images | Home |

Comments to : thehindu@vsnl.com   Copyright © 2005, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu