Online edition of India's National Newspaper
Friday, Jul 08, 2005

About Us
Contact Us
Entertainment Thiruvananthapuram
Published on Fridays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Printer Friendly Page Send this Article to a Friend

Raconteur of timeless tales

SHOBA NAIR

Harikatha artiste Haripad C.K. Rajalekshmi talks about her life and the art form.

"I started giving Harikatha stage performances during ulsavams at temples, even before the mike reached our small village," says Haripad C.K. Rajalekshmi. As she reminiscences, the voice of this 74-year-old reveals a rare depth and her large eyes become expressive.

To the accompaniment of mushaang, insidangam and the sonorous harmonium played by the foot, she has narrated stories from the Puranam - stories of joy and sorrow, weakness and valour, pride and strength. Her narration of excerpts from `Bhaktakuchela,' `Kachadevayani' and `Bhaktideepika,' can keep one engrossed, even today.

C.K. Rajalekshmi hails from a talented family in Aranamula. Initially, her maternal uncle gave her music lessons and later her teacher was Arammula Ponnamma. She married the noted mridangist Haripad P.K. Das, who encouraged her to pursue her talents. She has also learned music under the tutelage of the late Ramankutty Bhagavathar and the late Malabar Gopalan Nair (who is M.G. Radhakrishnan's father). "I tried my hand at acting in dramas, but realised that it was not my cup of tea," she says. She then pursued Harikatha, accompanied by her mridangist husband.

She has given stage performances all across Kerala, from Malabar to Parasala and even Thuckalay. She won many accolades along the way. Around 35 years ago, she was invited by All India Radio to host a couple of programmes annually, especially to make programmes on family planning.

There were times when Rajalekshmi tried her hand at other things as well, for instance, when she provided vocal support for T.R. Omana's dance troupe Aryakalanilayam's `Poothanamoksham.'

Having spent the prime of her live narrating stories from mythology, Rajalekshmi now derives pleasure from another form of narration - writing stories. She proudly holds up the stories she has written. Be it humour or social themes, she has given them all a shot. Some of her stories are `Bhagwatha Parayanam,' `Siddhartha Rajakumar,' `Mohavum-Mukthi,' `Parasuramante Shapam,' `Vallakaran Varkey,' `Manushya Nee Mannakunnu' and so on. She has, however, not published them.

Printer friendly page  
Send this article to Friends by E-Mail

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | The Sportstar | Frontline | The Hindu eBooks | The Hindu Images | Home |

Comments to : thehindu@vsnl.com   Copyright © 2005, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu