Online edition of India's National Newspaper
Friday, Jul 29, 2005
Google

Entertainment Chennai and Tamil Nadu
Published on Fridays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Printer Friendly Page Send this Article to a Friend

In typical Maharajapuram style

B. RAMADEVI

Maharajapuram Srinivasan offered a wholesome fare as a tribute to his father and guru Maharajapuram Santhanam.

PHOTO: K. ANANTHAN

MEMORIAL CONCERT: Maharajapuram Srinivasan

The Telugu Samithi and Modern Scientific Company, Coimbatore, paid a musical tribute to the late Maharajapuram Santhanam by arranging the vocal concert of Maharajapuram Srinivasan, son and disciple of the late legend at Pravachana mandapam, Kodandaramar Koil, Coimbatore.

Srinivasan, with his rich voice, reminded the audience of his illustrious father in the selection of songs and the bhani.

Melodious

The first number, a varnam by Lalgudi Jayaraman in Charukesi opened the gates for a sumptuous feast of melody. `Ramuni Maravakave' in Panthuvarali by Papanasam Sivan was steeped in emotion, particularly during the neraval for the lines `Rama rama eni.' He sang `Rama Rama' in different ways, each more appealing than the other. Srinivasan presented `Ezhilmigu Hamsanadham,' a lovely composition that brought out the characteristics of the raga Hamsanadham.

`Nannu Vidachi Kadalakura' by Tyagaraja in Reethigowla, produced the unfailing effect of total devotion. `Himadrisuthe Paahimaam' in Kalyani by Syama Sastri was regal while the Ragam, Tanam, Pallavi in Karaharapriya with the words, `Rama Nee Samaanamevaru,' was wholesome with a leisurely alapana, satisfying neraval and sprightly swaraprastharas.

`Abhaya Varadhe Sharadhe' was endearing with the exquisitely graceful way in which the pallavi was started. Srinivasan also sang quite a few popular songs on request such as `Neeraja Dhala Nayana,' `Thedi Vandhennudan Aadi Magizhgiraan,' `Vilaiyaada Idhu Neramaa,' `Govinda Ninna Naamave Chendha,' `Srichakraraja Simhasaneshwari' and concluded with a spirited naamavali `Namah Paarvatipathaye' following it with the inevitable all-time favourite `Bho Shambho.' Nagai Sriram (violin) showed exceptional dexterity and won frequent appreciation from the vocalist as well as the audience. Thanjavur Kumar (mridangam) proved that he had a class of his own. Ganesh Srinivasan accompanied his father effectively, emerging as the fourth generation singer from the same family.

Printer friendly page  
Send this article to Friends by E-Mail

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | The Sportstar | Frontline | The Hindu eBooks | The Hindu Images | Home |

Comments to : thehindu@vsnl.com   Copyright © 2005, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu