Online edition of India's National Newspaper
Friday, Sep 28, 2007
Google


Trip Mela
Friday Review Thiruvananthapuram
Published on Fridays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Friday Review | Cinema Plus | Young World | Property Plus | Quest | Folio |

Friday Review    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Printer Friendly Page Send this Article to a Friend

Rhythmic display of proficiency

T. K. SADASIVAN

Kalamandalam Ratheesh Bhas’ mizhavu Thayambaka proved his virtuosity.



Skilful beats : Kalamandalam Ratheesh Bhas enthralled the audience with his maiden Thayambaka performance.

Mizhavu, the percussion instrument that is an integral part of Koothu and Koodiyattom performances, is a kind of drum played with the palms. Mizhavu exponents like Kalamandalam P.K. Narayanan Nambiar, Kalamandalam Eswaranunni, Kalamandalam V.K.K. H ariharan and Kalamandalam Rajeev have displayed their proficiency and virtuosity on the mizhavu through mizhavu Thayambaka.

In the recent past, the mizhavu Thayambaka has gained popularity among connoisseurs. Recently, mizhavu artiste Kalamandalam Ratheesh Bhas enthralled the audience with his maiden Thayambaka performance at Nepathya, Moozhikulam.

Ratheesh Bhas, a native of Edappal, first learned to play the thimila and became a Panchavadayam artiste. But Ratheesh found his muse when he happened to hear the mizhavu maestro Kalamandalam Eswaranunni’s heart-throbbing beats on the mizhavu.

Training

Soon Ratheesh joined Kerala Kalamandalam to learn to play the mizhavu. He underwent rigorous training under Kalamandalm Eswaranunni and Kalamandalam Achuthanandan for eight years and took a diploma and then a degree (Bachelor of Performing Arts) in mizhavu. For the past four years he has been working as the mizhavu artiste at Nepathya.

The mizhavu Thayambaka was on the same pattern as that of a chenda Thayambaka. The drumming in four tempos was in four talas – Chembada, Atanthakoor, Edakalam and Erikidi. The accelerating beats of the artiste led the listeners to the crescendo.

Ratheesh Bhas proved his virtuosity over the instrument right from the slow tempo and never once did his concentration flag. While playing different permutations and combinations on the mizhavu, the talented drummer mesmerised the audience with his creativity and skill.

Ratheesh said that he had been preparing for his maiden Thayambaka performance for the past six months under the guidance of chenda player Dinesh Warrier.

Ratheesh was supported by Kalamandalam Anoop and Kalamandalam Vineesh on the mizhavu, Dinesh Warrier on the chenda and Balamurali on the elathalam.

Printer friendly page  
Send this article to Friends by E-Mail



Friday Review    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Friday Review | Cinema Plus | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | Sportstar | Frontline | Publications | eBooks | Images | Home |

Comments to : thehindu@vsnl.com   Copyright © 2007, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu