Online edition of India's National Newspaper
Friday, Oct 26, 2007
Google


Trip Mela
Friday Review Chennai and Tamil Nadu
Published on Fridays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Friday Review | Cinema Plus | Young World | Property Plus | Quest | Folio |

Friday Review    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Printer Friendly Page Send this Article to a Friend

Now it’s the turn of Kamal Haasan … the writer

MALATHI RANGARAJAN

ACCLAIM With the release of Malayalam translation of two of his screenplays this week, Kamal Haasan the writer comes to the fore.


Another honour awaits Kamal Haasan — this time for his penning skills. At the inaugural function of the World Book Fair in Thiruvananthapuram on October 28, two Malayalam translations of Kamal’s Tamil screenplays — ‘Mahanadhi& #8217; and ‘Hey! Ram!’— will be released. K.S.Viswanathan is the translator of the book titled ‘Kamalahaasanda Randu Thirakadhagal.’

“I’m touched that a highly literate neighbouring State wants my works in their language. For them I’m always ‘Nammada Kamalahaasan.’ It’s a D.C. Books publication, and we’ve worked with systematic diligence — especially for ‘Hey! Ram!’ because the dialogue has plenty of Marathi. Viswanathan would often call me up for clarifications. We spent a lot of time selecting the right pictures,” says Kamal. “D.C. Books is proud to be associated with two brilliant works. Malayalam readers are sure to lap them up,” says publisher Ravi.

Literary pursuit

Kamal’s craving for literature began even as a boy, when literary stalwarts stomped the Haasan home in the form of dinner table conversations. “Everyone in the family was highly educated. The works of V.S.Khandekar and ‘Kalaignar’ were common subjects of discussion. Unwittingly my ears fed on them. Being a high school dropout I panicked. I had to belong and so I had to educate myself.” The thirst led him on and he began reading every classic that came his way.

As a teenager Kamal confined himself to English books. It was the late writer Ananthu, a constant at the K. Balachander camp, who opened the doors for the young man to enter the empire of Tamil litterateurs and world cinema makers. “I still miss him. He’s one of those many unsung geniuses,” Kamal pauses.

It was director R.C.Sakti who actually made Kamal see the writer in him. “I was a young boy groping for a foothold as director when Sakti got me a notebook and said, ‘Write a short film for me.’ I did. The peer acceptance was a tremendous morale booster.”



In a different avatar: Kamal Haasan

Continuously honing his skills, Kamal went on to write poems. “I’ve written more than a 100. Anger, joy, sadness and hurt make me turn towards writing poetry. And when contemporaries compliment the work, it’s an elixir.”

Kamal’s maiden attempt at screenplay, ‘Raja Paarvai,’ (though he’d written a couple in Malayalam earlier) spells ingenuity and class. “But my favourites are those that came later — ‘Thevar Magan,’ ‘Virumaandi’...” Attending U.S. writer John Truby’s workshops on screenplay, rubbing shoulders with world class directors Jean-Claude Carriere and Milos Forman and writer Sundara Ramasamy and the influence of makers of the ilk of Istran Zabo culminated in Kamal avidly pursuing screenplay writing. “I imbibed their techniques and evolved as a writer. Dovetailing a story and detailing it in the format is a challenge,” he says. “Giants such as KB should work on publishing their scripts. It will be a real legacy,” he adds.

With every film, Kamal the writer eggs the actor on. Next, ‘Dasavatharam’ comes with Kamal’s story, screenplay and dialogue. “It was a daunting task. My 10 acting roles may blur the face of the writer now. But once the film is out, the 11th man is bound to get noticed,” he chuckles.

K.S.Ravikumar, director of ‘Dasavatharam,’ says: “The way he has bridged the commercial and natural elements is incredible. ‘Dasa …’ will be a veritable feast.” And its lens man Ravivarman believes that Kamal’s narratives are timeless. “Including ‘Dasavatharam,’ all his film scripts will remain relevant forever. I worked with him for 207 days for the film and each day was an enjoyable learning experience.”

Kamal is already working on his next script, ‘Marmayogi,’ envisaged as a massive bi-lingual in Hindi and Tamil. Meanwhile, D.C. is also keen on publishing a Malayalam translation of the ‘Dasavatharam’ screenplay. “I’ve a long way to go. A time could come when published scripts win Sahitya Akademi awards. After all this is original writing too,” he smiles.

Printer friendly page  
Send this article to Friends by E-Mail



Friday Review    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Friday Review | Cinema Plus | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | Sportstar | Frontline | Publications | eBooks | Images | Home |

Comments to : thehindu@vsnl.com   Copyright 2007, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu