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Evolution of Kuchipudi

The three-day Kuchipudi fest kick off today at Kuchipudi village

Photo: Ch. Vijaya Bhaskar.

Dance evolution The Sri Sidhendra Kala Peetham in Kuchipudi village

Potti Sreeramulu Telugu University is holding `Kuchipudi Nrutyotsavalu' at the heart of Kuchipudi village in Krishna District for three days commencing today. The University initially introduced two awards, last year, named after Siddhendra Yogi, to Vedantam Satyanarayana Sarma, as a performer and to Vempati Chinna Satyam as guru. These honours carried a cash award of Rs.50,000 each. But owing to financial constraints only one award for a Kuchipudi dance artiste is announced this year and veteran dancer Yamini Krishna Murthy was chosen for this.

The festival is also designed to expose the Kuchipudi artistes to other dance styles too. The festival is to be inaugurated by the Chairman of the Legislative council, A. Chakrapani and will be attended by some known personalities in political and art fields. Artistes Prabha (Kuchipudi) of Chennai (a film artiste too) , Dr. Iliana of Orissa (Odissi), K.V. Satyanarayana of Eluru (Amuktamalyada ballet), Madhavapeddi Murthy (Kuchipudi) of Chennai, Vedantam Ramalinga Sastry (Krikrishna Vijayam ballet) of Kuchipudi village, Vedantham Radheshyam (Bhakta Prahlada), Laitha Sindhuri (Kuchipudi), A.Uma Dogra (Kathak) of Mumbai, Vyjayanthi Kasi (Kuchipudi) of Bangalore, Bala Kondala Rao (Kalyana Raghavam ballet) of Visakhapatnam, Bhagavatula Sethuram (Kuchipudi) of Hyderabad will be featured in this festival. There will be two seminars on December 29 and 30. Dance performances will be held in the evenings. Kuchipudi artistes and connoisseurs of the ancient dance styles are concerned about the future of the art. The concern is about retaining its identity. The dance looks today more a well defined execution with rich cos- tumes, but the conservative and traditional look of the art with its original flavour seems to have been lost. Vempati Chinna Satyam, largely responsible for the spread of Kuchipudi blamed the gurus for the dilution. It is well known that the art flourished in the village for generations, as each family of the village was contributing at least one boy to learn the art. But now the present generation is opting for other vocations. Now, the state government constructed a building spending a couple of crores put up hostels and `natyasalas'. But the teaching staff about a half a dozen members are on consolidated salaries also of meagre amounts. Another setback is that no one is concentrating on teaching Nattuvangam, an essential feature to conduct the dance according to the original grammar. The Telugu University which is now looking after these subjects has to look into these factors and set things right. Hope the ensuing festival would take these things into consideration and would strive to bring back the original style of the Kuchipudi dance art.

G.S.

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