Friday Review
Bangalore
Chennai and Tamil Nadu
Delhi
Hyderabad
Thiruvananthapuram
CHAT CORNER
Honing art to perfection
Through music you reach God. It has to go on and on till we realise it.
N. Vijay Siva
N.Vijay Siva has evolved himself as a musician with pure values. His music makes a clear statement of his forthrightness and self-confidence. The message is even clearer when you notice the portraits of Mahatma Gandhi, Nehru, Tilak, Gokhale,
V. O. Chidamabaram, Rajaji and Sardar Vallabhai Patel adorning the walls of his drawing room, Despite the busy December season, he settles down for an exchange…
Fine Arts in the family…
My paternal grandmother, Meenakshi Ammal, first cousin of S. Balachander, was very mush into Fine Arts. She inspired me a lot. Good at vocal and veena, my father A.N.Siva, was also an amateur actor with the Sangeethanjali troupe.
‘Manthralaya Mahan’ is one of their famous plays. My mother is a gold medallist (1965) from Music College, Adyar, and had learnt music under stalwarts there. My uncle A.S.Siva was good at composing songs in classical music, and in staging plays.
My parents wanted us to be trained in music, though they did not intend making us professionals in the field. Yet my sister Poorna Vaidyanthan, brother Manoj and I are into music, full time. It’s His will. I firmly believe that more than the genes, it is the atmosphere you grow in that shapes you. To cite a couple of examples, D.K.Pattammal is the first musician in her family and so is P.Unnikrishnan.
Schooling …
I feel blessed to have been a student of PSBB School. The teachers, under the dynamic leadership of Mrs.YGP, have the acumen to identify the inherent talent in each student. In fact, it is their forte. They create an atmosphere where the student is allowed to open up. His strength is assessed and nurtured to blossom further.
Till date I receive the blessings of my teachers who keep tabs on my career and correct me when I am wrong. G.J.R. Krishnan, R.K.Sriramkumar, Mullaivasal Chandramouli and Anuradha Sriram were all my school mates. A similar atmosphere continued in Vivekananda College too, where I did my B.Com.
Into Music …
I was exposed to music from childhood because of my environment. Our family has always had an ear for good music. It was not a formal training under my mother, but a natural exposure, while she was teaching or practising.
I came under the tutelage of D.K. Jayaraman in 1977, and after his demise it has been under his sister D. K. Pattammal. My mother was his student. Since my talent was spotted at a very early age, to shape it up well, I was made his student. The Vedas speak of three types of Gurus. DKJ is my Uttama Guru. He was like Sage Narada, knowing every minute detail about his disciples and giving them what they needed. He would go out of the way to teach kritis.
So it is with DKP. Once, knowing that I was going to sing on Shyama Sastri Day, she summoned me over phone to come and learn the rare ‘Mangalam’ composed by him! Until then I never knew of its existence! DKP amma keeps track of my development. As she is aging there are no regular classes now, but it is Divine guidance I get from her.
You’d be surprised to know that I was trained by Kumbakonam Rajappaier in playing the mridangam. I even reached a performing level in it.
Approach to music…
It is an eternal search. Through music you reach God. We are told that it has to go on and on till we realise it.
Patriotic fervour …
Earlier the country and God were seen as one. For Bharatiyar, Parasakti and Bharat Matha were the same. The freedom fighters underwent untold suffering to gain Independence for us.
Desa bhakti is very important. Sacrifice begins at home and slowly permeates into society. Sardar Vallabhai Patel was a great administrator and We are yet to see a person like him. Dr.Rajendra Pasad had great respect for ancient arts. A lot of fillip was given to cultural development and music during his tenure. A. P. J. Abdul Kalam largely emulated him.
At home we never allow ourselves to forget those who toiled for the country. That should explain the presence of pictures of great leaders in our house.
Kutcheris…
I take each concert as an experience and not a test. I enjoy the camaraderie with my colleagues in the profession. We share a good rapport. The large-heartedness of the seniors who are now past their fifties is a lesson for us youngsters to imbibe. Why should there be room for politics when there is space for every one? The talented and the industrious will win recognition, sooner or later. No one can come between the performer and the rasika. Our seniors have paved the way, let’s follow them.
Voice training and culture …
ITC conducted studies on voice training and culture, and held a workshop for singers, with the help of Peter Calatin. Ananth Vaidyanathan was with ITC then. Now Ananth conducts voice training and I take advice from him for understanding and re-orienting my voice.
I know how to manage my voice without being frightened about it. Voice culture is inherent in Carnatic music, even from its rudimentary lessons.I also learnt breathing exercises, meditation etc., which are highly complementary for good health and music, at the Art of Living course.
V. BALASUBRAMANIAN
Printer friendly
page
Send this article to Friends by
E-Mail
Friday Review
Bangalore
Chennai and Tamil Nadu
Delhi
Hyderabad
Thiruvananthapuram
|