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Inimitable style: Sonal Mansingh’s choreography is faithful to the lyrics and essence of the poem.

Renowned Odissi danseuse Sonal Mansingh’s unique style of interpreting a theme was evident throughout her performance at Vylloppilly Samskriti Bhavan, Thiruvananthapuram.

She began her recital with a ‘Mangalacharan,’ an offering to Devi. The number described the Devi’s existence in various forms. Verses by Kalidasa were brilliantly used and Sonal’s inimitable style enthralled the audience.

‘Magdalana Mariam,’ a poem by Vallathol that is based on the biblical Mary Magdalene, was a well-choreographed presentation. The piece, a highlight of the evening, showcased the creative prowess of the danseuse.

Choreographed by Sonal in the 1970s for a function in Delhi to celebrate the birth centenary of Vallathol, the dance did justice to the poet’s lines. The translation from Malayalam to Hindi did not lose the essence of the poem. The translation was done by Sonal herself.

‘Padapoorthi,’ the final number, had Sonal explaining the miracles that happen in one’s life.

The lyrical support for this item was taken from a contemporary Oriya poem by Lakshmi Narayan Palit.

Jayadeva, the author of the Gitagovinda, suffers a writer’s block while writing a padam.

Leaving the incomplete padam in his room, he goes for a bath. The miracle happens when Krishna himself completes the work for Jayadeva. Upon returning home, Jayadeva is surprised to see the completed padam.

Sonal’s dynamic expressions and energy endeared the piece to the audience. She captivatingly unveiled the miracle that happens in Jayadeva’s life by explaining the subtle nuances of the poem sans melodrama.

The accompanying musicians ably tuned in to support the dancer. Suresh Kumar provided the vocal support. Other musicians of the team were Niranjan Bhol (maddalam), Abrar Hussein (sarod), and Imran Khan (keyboard).

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