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The timeless spirit of Africa
Commemorating the 10th anniversary of South Africa's freedom, the Soweto String Quartet will convey the timeless spirit of Africa at the Taj Palace Hotel in New Delhi on April 1. The event will also highlight the promotion of tourism exchange between India and South Africa.
The performance of this well-known musical band -- organised by South African Tourism in association with the South African High Commission -- promises to be a treat for music lovers here. The Soweto String Quartet comprises the three famous Khemese brothers -- Sandile, Reuben, and Thami -- and a friend, Makhosini.
In spite of many hurdles that came their way, the band has succeeded in taking to the African masses the sound, beat and rhythm of their musically rich country by playing 18th Century musical instruments. To ensure that the younger generation associates itself with their kind of music, contemporary elements have been introduced in the traditional music. Some melodies have been borrowed from Africa's rich treasure house of music.
The Soweto String Quartet's raging popularity can be gauged from the fact that their two albums, "BMG Africa- Zebra Crossing" and "Renaissance", have received a tremendous response. These albums showcase the band's unique blend of traditional rhythms and elements of jazz, pop, jazz-fusion and classical.
Though in the last few years the band has been playing across the world as musical ambassadors of South Africa, their heart is always in Soweto.
Sandile, the violinist, sums up the relationship between his band and the listeners. As he points out, "We belong to the people." There are many who want to hone their skills by studying the band's instruments and taking interest in their music, he adds.
For Sandile, success wasn't a cakewalk. He had to struggle during his college days in England in the 80s where he pursued a six-year music scholarship, which included four years at Manchester's Royal North College of Music. Whatever he had learnt during his long and fruitful years of learning, he shared with his brothers. He also worked as a teacher of traditional African marimba instrument at the Madimba School of Music. For three years he couldn't play violin but this didn't prevent him from regrouping with his band members.
After South Africa gained freedom, the band intensified its experimental intermixing of musical styles by playing guitar, keyboards and percussion. This musical exploration has resulted in cross-cultural influences. With a combination of rhythms and intonation of musical tones, the Soweto String Quartet presents a musical treat that transcends geographical boundaries and cultural barriers.
By Madhur Tankha
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