Online edition of India's National Newspaper
Saturday, Jan 19, 2008
Google



Metro Plus Mangalore
Published on Saturdays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Friday Review | Cinema Plus | Young World | Property Plus | Quest | Folio |

Metro Plus    Bangalore    Chennai    Coimbatore    Delhi    Hyderabad    Kochi    Madurai    Mangalore    Puducherry    Tiruchirapalli    Thiruvananthapuram    Vijayawada    Visakhapatnam   

Printer Friendly Page Send this Article to a Friend

A role to model

Pankaj Kapur plays a dacoit-turned-social activist in Halla Bol

photo: sandeep Saxena

The veteran Pankaj Kapur believes in the power of expression

Pankaj Kapur is extremely patient with young journalists. A child-like smile lights his face when one compliments him. He takes it graciously with a gentle ‘thank you’. He makes a mild salutation when a boy hands over a cup of tea to him. A glance at Kapur’s roles in films and TV serials makes one wonder if he has been a kind of activist at any point of time. “No, never. Neither social nor political.”

“It’s an urge to say something I believe in, that I pick and choose my roles – roles that satisfy me at the three levels; aesthetic, justice and conviction. Through my character I try to make it convincing. I feel responsible for my roles,” he says.

That’s what he has done in Rajkumar Santoshi’s “Halla Bol” too. He plays a dacoit, Siddhu, who lays down arms and starts doing street theatre to create awareness. Says Kapur, “I had been attached to street plays during my early theatre days. The film is important for me as it emphasises the importance of speaking one’s mind when one sees injustice being done in one’s surroundings. See in Harbhajan’s ban case, when the entire nation spoke its mind, ICC had to eat a humble pie. That’s the power of halla bol,” he asserts.

“I haven’t so far had any such testing times. But being an artiste I try to do so through my roles. This is the reason I am continuing with the serial “Office Office” that is successfully running for seven years. And because this serial has a huge mass base, it is earning great money too.”

Kapur was seen very little over the past few years. With “Dharam” he established his strong stature once again. “I had decided to sit at home rather than doing roles just for money. I waited for good roles,” he says.

If such films give him creative satisfaction, the content on television upsets him no end. “Television serials are extremely poor in content these days. Through the countless crass serials there is a gross misrepresentation of Indian culture. I am really worried about its impact. It has started showing its adverse effect on our young minds.”

The very mention of his last film “Dharam” brings back the smile on his face. “This film was immensely popular in film festivals. I have got to know that a huge number of VCDs and DVDs have been bought by people. Though it went almost unnoticed in theatres I believe it is reaching the right minds through VCDS and DVDs. After sometime, it may come on television also.”

For now, Kapur is concentrating on his directorial debut and is keeping film roles at bay. “My film is at a nascent stage. I would like to talk about it once everything is finalised,” he concludes.

RANA SIDDIQUI

Printer friendly page  
Send this article to Friends by E-Mail



Metro Plus    Bangalore    Chennai    Coimbatore    Delhi    Hyderabad    Kochi    Madurai    Mangalore    Puducherry    Tiruchirapalli    Thiruvananthapuram    Vijayawada    Visakhapatnam   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Friday Review | Cinema Plus | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | Sportstar | Frontline | Publications | eBooks | Images | Home |

Comments to : thehindu@vsnl.com   Copyright © 2008, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu