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The Journey continues
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Paul Theroux, who was recently in the city, on what it takes to be a successful writer. SHONALI MUTHALALY reports
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PHOTO: V. GANESAN
INTERESTED IN PLACES AND PEOPLE Paul Theroux
Paul Theroux advocates
leaving home. The celebrated
writer certainly got
his start by taking off to see
the world. Unfortunately, you
would find it quite challenging
to travel the way he did: joining
the Peace Corps in Central Africa,
for starters, where he unwittingly
got involved in a coup to
kill the Dictator President in
Malawi when the ambassador
asked him for a favour. Theroux
ended up driving across Africa,
taking back roads watched by lions,
to transport the ambassador's
mother, crockery and
letters to Uganda, as a result of
which he was `terminated' from
the Corps. "I was just a foolish
young man delivering letters -
who ended up with a really good
story," he grins.
The writer, who was recently
in Chennai in association with
the American Consulate General,
conducted a workshop for unpublished
writers at their
premises, and then addressed a
gathering at Landmark, meticulously
deconstructing what it
takes to be a successful writer. "I
became a writer by thinking
about travel," he says, "and the
essential thing I did was leave
home."
Fascination for India
His fascination for India began
around then. "Central Africa
was my first introduction to Indian
life. Lots of people were
from Gujarat. I got my first taste
of gulab jamuns, laddos and rasagullas
when I was in Africa.
Not idlies, there were very few
South Indians in Africa."
He also taught in Italy, and
was a lecturer of English in
Uganda, then Singapore. He's
travelled through Asia, China,
India, Latin America, the Pacific
Islands and the Mediterranean,
and still loves jumping
on trains, "Though my sons
keep saying, `Aren't you a little
old for that?"
Credited with reinventing
the travel genre, Theroux has
14 works of non-fiction and 27
works of fiction to his credit.
"People say I'm a grumpy
traveller," he laughs, "You can
see that I'm not. I'm a Hobbitlike,
happy, lovable, embraceable
person."
"I've written something _ a
novella, a story, a novel _
every year since 1967," he says,
"I had a family to support and
a lot of ideas in my head." That
resulted in 40-odd books in 40
years. "I'm prolific," he says.
"But you know it isn't easy.
Sometimes it can take months.
Sometimes a book takes years
- and that's the greatest test."
Not even Ernest Hemingway
had it easy. "I knew Hemingway's
third wife," says Theroux.
("I think he was married
4 times, and he died when he
was younger than me, at 64 or
65. That's a lot of action!") She
told Theroux that Hemingway
would rather do anything than
write. "She told me that he
didn't really like writing and
found it very difficult, very
slow. _ He liked drinking with
his friends, he liked fishing_
he was an accident-prone man.
If he was driving he'd have an
accident. If he was drinking,
he'd fall off a stool. I'm sure
his writing was an extension of
himself."
Writing, after all, is a way of
releasing your inner life. "I
discovered what it was I intended
to write about. It was
somewhere in my imagination
and I needed to release it," he
says, "Imaginative writing is
groping toward a conclusion of
which you are unaware. You're
going into a place that is dark,
that you're shining a light into.
The struggle of writing is that
you don't know everything."
His intense interest in people
is what makes his books,
liberally peppered with quirks
and qualities of various characters
he meets on his travels, so
real.
"When I was young people
said, go to India and see the
Taj Mahal. Go to France and
see the Louvre. I was not
interested in that kind of
architecture," he states. "I was
interested in human architecture.
The shapes of people,
their minds_ The way my fate,
my destiny intermingles with
yours. That's why I became a
writer and why I continue to
be a writer."
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