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Less is more
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Writer-actor Nayantara Roy likes the economy of precise passages
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PHOTO: BHAGYA PRAKASH K.
the going’s greatNayantara Roy
When writer-actor Nayantara Roy wrote scripts in school, the plays “had nuns and were full of Biblical themes”. Says the Mumbai-based Roy: “As a young convent-school-going girl, your social issues and structures are limited and contained.” Then, like many script-writers with a script, but a dearth of actors, Roy took on roles and felt that she could act as well.
Having interned as a journalist at NDTV in Bangalore, Roy moved from TV journalism to feature-writing, dabbling alongside in commercials. “I love writing food and film reviews as a hobby”, she says.
Moving to Mumbai was when Roy decided she wanted to make a full-time career out of acting. “Like many actors, I’ve done a variety of plays — from classical to original productions. As an actor in Bangalore, I found myself in a comfort-zone — comfort is death.”
Develop an edge
For her, the move to Mumbai was a move “to the harshest realities where you fight for everything, from stage-space to resources, something that is comparatively easier to get in Bangalore.” She asserts, “You have to be hungry, you have to have that edge”, she says, maintaining that “Mumbai is a place of opportunities”.
Back in Bangalore to conduct Ranga Shankara children’s summer theatre workshop ‘Summer Express’ with actor Jaimini Pathak, she feels that it’s better engaging with children. “Children come without any baggage — they are not bound by the complexities and principles of theatrical traditions and always ask questions!”
From acting in English screenwriter Patrick Marber’s Closer and Chandrasekhar Kambara’s colourful Tukra’s Dream to Jaimini Pathak’s social Once upon a Tiger, Roy says she enjoys the entire process of acting.
“I love reading the script, rehearsing, playing dual roles and performing the plays again and again — plays never die for me.”
Roy also likes the economy of precise passages. “I like saying as little as possible, rather than lengthy passages.” With five years of professional acting in her kitty, Roy has no regrets. “There is so much to learn from everyone — even box-office failures.” Given a choice, she would go back and do them again.
“The roles for women are no longer just ornamental; it is a great time to be an actor”, she smiles.
AYESHA MATTHAN
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