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Comic relief

Photo: Bhagya prakash k.

Once upon a time Graphic novels straddle art and literature

Once upon a time comics were read by children and all was well with the world. But you have an inkling that things are a tad different now when you find that you have to be over 18 to buy most of the titles on the comic book racks. Welcome to the world of graphic novels.

For the uninitiated, a graphic novel is a novel-length comic, spread over anything from 64 to over a 1,000 pages. Although the purists would cringe at the suggestion, it can also be successive issues of a comic magazine which tell a single story bound together (in publishing terms, a trade paperback). Any corrupting connotation that the word “comic” could bring to this form straddling both art and literature could easily be wiped off by taking a walk through the streets of the dystopian “Sin City” or listening in to the socio-political commentary in “Persepolis”.

Of course, the caped and masked crusaders from the DC and Marvel stables continue to rule over the commercial hubs in this canon but there is a maverick underground to the steady mainstream that the uber geeks are always on the lookout for. Frank Miller, with his signature neo noir style is definitely in the top league here. With several classics in the canon such as “300” (1998) and “Sin City” to his credit, he is the master of the dark and the disturbing. Another genius in the ranks is Alan Moore, the maverick creator of “Watchmen” (1987) and “V for Vendetta” (1989). Neil Gaiman of “Sandman” fame and Will Eisner, a pioneer in the genre with his “A Contract With God”, and “Other Tenement Stories” (1978), are other must-know must-read names in the class.

Sarnath Banerjee who created India’s first graphic novel, “Corridor” (2004), is the desi in the field to watch. In 2007 he created his second novel “The Barn Owl’s Wondrous Capers” about a Jew in 18th century Kolkata.

P.J. GEORGE

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