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Vanishing lifestyles
AGLAJA STIRN and Peter van Ham are not anthropologists by
training. She is a specialist in psychosomatic medicine and
director of a Frankfurt hospital, while he is a musician who
teaches, composes, and scores for films. Yet, this multi-faceted
duo have taken on the arduous, sometimes dangerous task of
documenting the unique tribal culture of the seven North Eastern
States before it disappears altogether. The authors have already
produced three books on the subject and built up such a
reputation that they have been granted permission to do their
fieldwork in an area normally closed to foreigners.
This comprehensive survey, with more than 400 photographs,
outlines the origins, rituals and religious beliefs of the
tribes, their myths and matriarchal culture. Being out of the
Indo-Aryan mainstream, their ethos is a world far removed from
ours.
The diversity of the region is mind-boggling. Seventy eight
ethnic groups inhabit tiny Tripura, and each of the other States
is home to 20 to 30 different tribes. Apparently, they came here
in a wave of migrations about 3000 years ago, and surmises about
their beginnings are based on facial features and linguistic
affinities. These indicate a Chinese or South-East Asian origin,
but some Naga groups resemble the natives of Papua and Melanesia,
and the Meitheis use words of Tamil derivation. Since there are
almost as many languages as there are tribes, such speculations
are unending.
Turning to old records, one finds in the 2nd Century, Ptolemy, of
all people correctly describing the Nagas as those who live "in
the realm of the naked", but we still know nothing of their
origins. However, where facts falter, myth steps in. So,
according to the Akas, all human beings are the children of
Father Heaven and Mother Earth and, eons ago, descended from the
sky by ladders - golden ones for Aka royalty, silver for
commoners, iron for Tibetans and so on. "Inferior" tribes such as
Nishis and Cacharis had to make do with ladders of bamboo or,
worse still, grass! There are variations on this story but the
ladder is common to all, and an ancient monolith in Mizoram, six
metres high, is known throughout the region as "heaven's ladder".
Class distinctions in these tribal cultures are often cruelly
enforced, but conscious efforts are also made to reduce them.
While feasting fosters a sense of togetherness everywhere, among
the Nagas and Apa Tani it has a cathartic function, since
sumptuous banquets deplete the wealth of those who have too much,
and the envy of those who have too little. This financial
levelling down reintegrates the former with their community, and
serves the practical purpose of emptying the stores of grain
before the coming harvest. Further, the neighbouring tribes
supply huge quantities of meat, which buys their friendship and
preempts attack.
Laws are framed for the larger good. Punishments for the same
crime vary and become progressively more severe. The Apa Tani
penalise persistent theft with public humiliation to begin with,
where the culprit is scratched, spat upon and even bitten. If he
steals again, one hand is cut off, then the other, and finally he
faces execution.
If families steal from each other in pursuance of a feud, the
thefts are ignored until they become too disruptive. Then, in a
strange custom called lisudu, the families compete in a display
and depletion of wealth. The challenger slaughters, say three
head of cattle and places them at his enemy's door, who must then
do likewise. The killings multiply, with 60 animals, in one
instance, being slaughtered on each side. When the feud reaches
such ruinous proportions, the council of elders calls a halt,
while the villagers gorge on highly prized meat. The authors cite
a very similar practice called potlatch on the other side of the
globe among the Kwakiutl Indians of North America.
Tribal religions are animistic, and the wind and rain, thunder
and lightning, the mountains and rivers have supernatural powers
in every aspect of life. The sun and moon, which watch over all
earthly happenings, are the most sacred, and an oath sworn on
them is as binding as one on the Bible would be for a Christian.
Weaving, the divine art, was taught to the first man by the Sun-
Moon God himself, and abstract symbols of these deities are
favoured motifs. In Aka and Naga textiles, as in wood-carving and
paintings, a nine-sided rhombus with a corona represents the sun,
cowrie shells the moon or the heads of enemies. All things cosmic
have earthly correspondences, a row of striped squares standing
for a starry sky, a triangle for a mountain and so son. This
complex metaphoric language extends to colours, red for the blood
of foes or black for night, and to choice fabrics which are worn
only by those of high status. The soul resides in one's art, so
when cloth is sold, the weaver removes a thread, retaining her
own soul symbolically.
Tribal dance is mystic or magical, a means of reaching out to the
spirit world. The dancers whip themselves up to a frenzy and fall
into a trance, or absorb the force of Nature through stillness.
In The Dance of the Happy Hearts, Khasi virgins stand erect,
moving only their bare feet almost imperceptibly, slowly drawing
out the power of the earth, letting it travel up the arrow-
straight spine to the head where the soul resides. The eyes
remain half closed to hold the energy within.
Since all created things are born of a female and Nature herself
is a mother, it follows that matriarchy is the norm. The clan
mother is its chief and priestess, and administers its property.
The family name and inheritance pass on through the daughters,
and the all-important burial rites are conducted by the youngest.
In a reversal that will make feminists sing hosannas, Khasi
couples continue to have children till a girl is born. While all
authority, religious and secular, is vested in women, the men
hunt, propagate, protect that village from attack and perform the
more arduous agricultural tasks. So disadvantaged, men have begun
to protest, and Meghalaya has a male emancipation movement, the
only one worldwide.
Not all is ideal in these cultures. Apart from the brutal
suppression of individuality, head-hunting, though illegal, is
still found in remote pockets, and human sacrifice persisted
through The Raj and was stamped out only in 1950. But under the
leadership of women, poverty and homelessness are virtually
nonexistent. The Community cares for all, and no child is
illegitimate since "motherhood is certain, fatherhood merely
incidental". Today, no one would support a Rousseauvian return to
the primitive, but this fine study shows India's unrivalled
diversity and the value of our indigenous life-styles. Living in
an oppressively patriarchal society, we have a great deal to
learn from the Seven Sisters.
ZERIN ANKLESARIA
The Seven Sisters of India: Tribal worlds between Tibet and
Burma, Aglaja Stirn and Peter van Ham, Prestel and Mapin
Publishing, Rs. 2,400.
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