News Update Service
Friday, May 9, 2008 : 0940 Hrs      
RSS Feeds

  • Top Stories
  • National
  • International
  • Regional
  • Business
  • Sport
  • Sci. & Tech.
  • Entertainment
  • Agri. & Commodities

  • Index

  • Photo Gallery

    The Hindu
    Print Edition

  • Front Page
  • National
  • Tamil Nadu
  • Andhra Pradesh
  • Karnataka
  • Kerala
  • Delhi
  • Other States
  • International
  • Opinion
  • Business
  • Sport
  • Miscellaneous
  • Index

  • Magazine
  • Literary Review
  • Metro Plus
  • Business
  • Education Plus
  • Open Page
  • Book Review
  • SciTech
  • NXg
  • Entertainment
  • Cinema Plus
  • Young World
  • Property Plus
  • Quest

  • Entertainment
    My first break - Suriya

    By Subha J. Rao

    How it happened

    I was working in a garment factory on a salary of Rs. 800, far removed from the world of glamour. I was an actorís son and so, purposely avoided that field. Offers had been coming my way ever since I was in Class X, but I was just not interested.

    At some stage, I realised as the eldest son, I had to take the responsibility at home. I knew I had to change careers. When Vasant Sir narrated the story of Nerukku Ner (produced by Mani Ratnam), I listened to it in a hurry, and agreed to do it. My friends didnít believe me and laughed when I told them about it. Only when I went to Mani Ratnamís office for the screen test (by K. V. Anand), did it sink in. I did not expect to click as an actor as I was shy, couldnít dance and was not even good looking. But, Vasanth encouraged me to do well.

    How it felt

    I watched the film in Udayam theatre, and when the audience applauded some of the scenes where I appeared, it was a magical moment for me. Where I could see only my mistakes, the people saw something else. All I remember of that day are the light on the screen and the claps.

    How life changed

    For two-three years following that, I didnít do good films. I needed a good director. When Nandha happened, everything changed. I became a serious actor, and director Bala instilled in me the discipline to work without committing errors. Kaakha Kaakha, Pithamagan, Ghajini and other good films followed. Now, itís Gautham Menonís Vaaranamayiram (a superb script) and K. V. Anandís Ayan that occupy my mind and time. Till now, I wanted my wife Jo, who is my inspiration, to be proud of my work. Now, I want my daughter Diya to feel the same.


    Sections: Top Stories | National | International | Regional | Business | Sport | Sci. & Tech. | Entertainment | Agri. & Commodities | Index
    The Hindu Group: Home | About Us | Copyright | Contacts | Subscription
    Group Sites: The Hindu | Business Line | Business Line News Update | Sportstar | Frontline | Publications | eBooks | Images | Home

    Copyright © 2008, The Hindu. Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu