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Recreating treasures of the past
Yazh, mayuri, the darbu… Sangita Vadyalaya’s mission is to reconstruct ancient musical instruments.
Miscellany


  • Correction

    Music


    MUSIC ACADEMY
    Fluent flow of manodharma
    It was a grand veena recital with choice compositions.


    MUSIC ACADEMY
    Expansive Thodi sans gimmicks
    Subha Ganesan rendered a deluge of ragas, sung with great involvement.


    MUSIC ACADEMY
    Crystal clear prayogas
    Neela Ramgopal’s colourful, gratifying expansion of Shanmukhapriya had all the distinctive features of the raga woven with confidence.


    MUSIC ACADEMY
    Calm and delicate Dhanyasi
    Nisha Rajagopal’s Khambodi had class and depth, with appropriate azhutham.


    KARTIK FINE ARTS
    Aggressive
    It was a light fare marked by aggressive outbursts that O.S.Arun offered. The alapana of Hamsanadham, unusually of a long duration, was full of throaty akara and ukara phrases, inclined towards the Hindusthani. Even more pathetic was his ...


    HAMSADHWANI
    Clipped phrasings, absolute harmony
    Srimathi Brahmanandam and Anuradha Sridhar lived up to the Lalgudi reputation; Kalpana Venkat’s musical imagery could not get translated completely.


    MUSIC ACADEMY
    Pacy alapana
    With a good voice , Gayatri Girish should settle for a bhava-rich presentation.


    SRI PARTHASARATHY SWAMI SABHA
    Aesthetic grace, focussed approach
    While Raji Gopalakrishnan’s concert was properly timed and neatly executed, Aishwarya Vidya Raghunath’s swara korvais flowed with confidence and clarity.


    BHARAT KALACHAR
    Sparks of imagination
    T. M. Krishna’s swaras bore the unmistakeable stamp of his guru, Semmangudi.


    MYLAPORE FINE ARTS CLUB
    Voice glides with the frets
    The voice and veena synchronised in every sangati, every turn and twist of the melody.


    BRAHMA GANA SABHA
    Interpretation akin to that of MLV
    With total sruti suddham and the voice in full flow, listening became rewarding.


    BRAHMA GANA SABHA
    Winsome foursome
    U.P. Raju and Nagamani paid full justice to the raga, and the percussionists seemed to vie with the main artistes throughout the concert.


    NARADA GANA SABHA
    A new concert-experience
    TVG’s extensive research on voice culture surfaced unobtrusively.

    Music matters
    Does the violin accompanist repeat every little turn of the phrase sung by the vocalist or the main artiste? As the singer keeps moving with his raga, his previous sangati is played by the violinist; the listener needs to be able to follow ...


    Dance


    NARADA GANA SABHA
    Perfect synchronisation
    Intricate footwork and kaleidoscopic precision marked the group event.


    Personality


    MY FESTIVAL -- NEDUNURI KRISHNAMOORTHY
    Festival has brought global recognition




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