![]() Online edition of India's National Newspaper Wednesday, December 26, 2007 |
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Music Season The Chennai December Festival |
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Recreating treasures of the past
MUSIC ACADEMY Fluent flow of manodharma It was a grand veena recital with choice compositions. MUSIC ACADEMY Expansive Thodi sans gimmicks Subha Ganesan rendered a deluge of ragas, sung with great involvement. MUSIC ACADEMY Crystal clear prayogas Neela Ramgopal’s colourful, gratifying expansion of Shanmukhapriya had all the distinctive features of the raga woven with confidence. MUSIC ACADEMY Calm and delicate Dhanyasi Nisha Rajagopal’s Khambodi had class and depth, with appropriate azhutham. KARTIK FINE ARTS
AggressiveIt was a light fare marked by aggressive outbursts that O.S.Arun offered. The alapana of Hamsanadham, unusually of a long duration, was full of throaty akara and ukara phrases, inclined towards the Hindusthani. Even more pathetic was his ... HAMSADHWANI
Clipped phrasings, absolute harmonySrimathi Brahmanandam and Anuradha Sridhar lived up to the Lalgudi reputation; Kalpana Venkat’s musical imagery could not get translated completely. MUSIC ACADEMY Pacy alapana With a good voice , Gayatri Girish should settle for a bhava-rich presentation. SRI PARTHASARATHY SWAMI SABHA
Aesthetic grace, focussed approachWhile Raji Gopalakrishnan’s concert was properly timed and neatly executed, Aishwarya Vidya Raghunath’s swara korvais flowed with confidence and clarity. BHARAT KALACHAR Sparks of imagination T. M. Krishna’s swaras bore the unmistakeable stamp of his guru, Semmangudi. MYLAPORE FINE ARTS CLUB Voice glides with the frets The voice and veena synchronised in every sangati, every turn and twist of the melody. BRAHMA GANA SABHA Interpretation akin to that of MLV With total sruti suddham and the voice in full flow, listening became rewarding. BRAHMA GANA SABHA Winsome foursome U.P. Raju and Nagamani paid full justice to the raga, and the percussionists seemed to vie with the main artistes throughout the concert. NARADA GANA SABHA A new concert-experience TVG’s extensive research on voice culture surfaced unobtrusively. Music matters Does the violin accompanist repeat every little turn of the phrase sung by the vocalist or the main artiste? As the singer keeps moving with his raga, his previous sangati is played by the violinist; the listener needs to be able to follow ...
NARADA GANA SABHA Perfect synchronisation Intricate footwork and kaleidoscopic precision marked the group event.
MY FESTIVAL -- NEDUNURI KRISHNAMOORTHY Festival has brought global recognition |
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